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Fantasia 2. 00. 0 - Wikipedia. Fantasia 2. 00. 0 is a 1. American animated film by Walt Disney Feature Animation and Walt Disney Pictures, and released by Buena Vista Pictures.

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Produced by Roy E. Disney and Donald W.

Ernst, it is the 3. Disney animated feature film and the sequel to Fantasia (1. Like its predecessor, Fantasia 2. Celebrities including Steve Martin, Itzhak Perlman, Quincy Jones, Bette Midler, James Earl Jones, Penn & Teller, and Angela Lansbury introduce each segment in live action scenes directed by Don Hahn. After numerous unsuccessful attempts to develop a Fantasia sequel, the Walt Disney Company revived the idea shortly after Michael Eisner became chief executive officer in 1. The commercial success of the 1. Fantasia convinced Eisner that there was enough public interest and funds for a sequel and he assigned Disney as executive producer.

The music for six of the film's eight segments is performed by the Chicago Symphony Orchestra conducted by James Levine. The film includes The Sorcerer's Apprentice from the 1. Each new segment was produced by combining traditional animation with computer- generated imagery.

Fantasia 2. 00. 0 premiered on December 1. Carnegie Hall in New York City as part of a concert tour that also visited London, Paris, Tokyo, and Pasadena, California. The film was released in 7.

IMAX theaters worldwide from January 1 to April 3. Its general release in traditional theaters followed on June 1. Some critics praised the film while others singled out its uneven quality. Budgeted at about $8.

Program[edit]The film begins with the sound of an orchestra tuning and Deems Taylor's introduction from Fantasia. Panels showing various segments from Fantasia fly in outer space and form the set and stage for an orchestra. Musicians take their seats and tune up and animators draw at their desks before James Levine approaches the conductor's podium and signals the beginning of the first piece. Symphony No. 5 (first movement) by Ludwig van Beethoven. Abstract patterns and shapes that resemble butterflies in various colorful shades, tints and hues explore a world of light and darkness whilst being pursued by a swarm of black bats. The world is ultimately conquered by light. Pines of Rome by Ottorino Respighi.

A family of humpback whales are able to fly. The calf is separated from his parents and he becomes trapped in an iceberg. Eventually he finds his way out with his mother's help.

The family join a larger pod of whales who fly and frolic through the clouds to emerge into outer space. Introduced by Steve Martin and Itzhak Perlman. Rhapsody in Blue by George Gershwin. Set in New York City in the 1.

Al Hirschfeld's known caricatures of the time, the story follows four individuals, Duke, Joe, Rachel, and John, who wish for a better life. The segment ends with all four getting their wish, though their stories interact with each other's without any of them knowing.[3] Introduced by Quincy Jones with pianist Ralph Grierson. Piano Concerto No. Allegro, Opus 1. 02 by Dmitri Shostakovich.

Based on the fairy tale "The Steadfast Tin Soldier" by Hans Christian Andersen, a broken toy soldier with one leg falls in love with a toy ballerina and protects her from an evil jack- in- the- box.[4] Unlike the original story, this version has a happy ending. Introduced by Bette Midler featuring pianist Yefim Bronfman. The Carnival of the Animals (Le Carnival des Animaux), Finale by Camille Saint- Saëns. What would happen if you gave a yo- yo to a flock of flamingoes?" A flock of flamingoes tries to force a slapstick member, who enjoys playing with a yo- yo, to engage in the flock's "dull" routines. Introduced by James Earl Jones with animator Eric Goldberg. The Sorcerer's Apprentice by Paul Dukas. Based on the poem "Der Zauberlehrling" by Goethe, the segment is the only one featured in both Fantasia and Fantasia 2.

It tells the story of Mickey Mouse, an apprentice of sorcerer Yen Sid who attempts some of his master's magic tricks before knowing how to control them. Introduced by Penn & Teller. Pomp and Circumstance – Marches 1, 2, 3 and 4 by Edward Elgar. Based on the story of Noah's Ark from the Book of Genesis, Donald Duck is Noah's assistant and Daisy Duck is Donald's wife. Donald is given the task of gathering the animals to the Ark and misses, loses, and reunites with Daisy in the process. Introduced by James Levine featuring Mickey Mouse and Donald Duck. Firebird Suite—1.

Version by Igor Stravinsky. A Sprite is awoken by her companion, an elk, and accidentally wakes the Firebird, a fiery spirit of destruction in a nearby volcano who destroys the forest and seemingly the Sprite. Cult Sci Fi Cartoons "Gilgamesh" Heaven`S Gate. The Sprite survives and the elk encourages her to restore the forest to its normal state. Introduced by Angela Lansbury.

Production[edit]Development[edit]Fantasia is timeless. It may run 1. 0, 2. It may run after I'm gone.

Fantasia is an idea in itself. I can never build another Fantasia. I can improve. I can elaborate. That's all.—Walt Disney[5]In 1. Walt Disney released Fantasia, his third animated feature film, consisting of eight animated segments set to pieces of classical music. Initially he planned to have the film on continual release with new segments replacing older ones so audiences would never see the same film twice.

The idea was dropped following the film's initial low box office receipts and a mixed response from critics. Following preliminary work on new segments, the idea was shelved by 1. Disney's life. In 1. Wolfgang Reitherman and Mel Shaw started preliminary work on Musicana, a feature film "mixing jazz, classical music, myths, modern art .. Fantasia format" that was to present "ethnic tales from around the world with the music of the various countries".[6] The project was cancelled in favor of Mickey's Christmas Carol (1. The idea of a Fantasia sequel was revived shortly after Michael Eisner became chief executive officer of The Walt Disney Company in 1.

Walt's nephew, vice chairman Roy E. Disney, suggested it to him at a lunch,[8] something that first entered his mind ten years earlier.[9] Disney recalled his reaction: "It was as if a big light bulb went on over his head. The idea was enticing, but we didn't have the resources to carry it out".[1. Walt Disney Studios chairman Jeffrey Katzenberg showed a lack of interest in the film.[1. He had once asked André Previn to work on a Fantasia film but Previn declined after he learned it was to feature songs by the Beatles rather than classical music.[1. Eisner approached Leonard Bernstein with the same idea, but while he seemed enthusiastic, Bernstein died before production began.[1.

It took a further seven years before the film was considered, after the 1. Fantasia grossed $2. Disney saw its commercial success as a sign that there was enough public interest in the Fantasia franchise to make a sequel. Eisner finally gave the green- light to the film in 1. Disney serve as executive producer on the basis that its production was funded by the proceeds from the video sales.[1.

Disney assigned Donald W. Ernst as producer[1. Hendel Butoy as supervisory director having liked his work with The Rescuers Down Under (1. During the search for a suitable conductor, Disney and Walt Disney Feature Animation president Thomas Schumacher invited Metropolitan Opera conductor James Levine and manager Peter Gelb to a meeting in September 1. Disney recalled: "I asked James what his thought was on a three minute version of Beethoven's fifth symphony. He paused and went 'I think the right three minutes would be beautiful'".[1. In November 1. 99.

Disney, Schumacher, Levine, Gelb, and Butoy met in Vienna to discuss a collection of story reels developed, one of them being Pines of Rome, which Levine took an immediate liking to. Butoy described Levine's enthusiasm toward the film as "like a kid in a candy store".[1. Because Katzenberg continued to express some hostility towards the film, Disney held development meetings without him and reported directly to Eisner instead, something that author James B.